The Unity Of Artistic Language, Composition, And Character Psychology In The Short Story Genre

Authors

  • Ergashev Aslbek Hamza o‘g‘li PhD, Senior Lecturer of the Department of Russian Literary Studies Chirchik State Pedagogical University, Uzbekistan

Keywords:

artistic composition, portrait, character psychology

Abstract

This article analyzes the theoretical and practical aspects of artistic composition and portrait. It examines compositional units, their role in the structure of a literary work, and the relationship between portrait and character psychology. Based on the works of Lev Tolstoy, particularly the novella “Hadji Murat,” the study explores the unity of artistic representation and the inner world of human beings. It also discusses the influence of 20th-century literature on Uzbek prose and the role of the writer’s personality in the literary process.

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References

Karimov H. Literary Portraits. Tashkent, “Yangi Nashr”, 2017. p. 163.

Quronov D. Theoretical Notes. Tashkent, Akademnashr, p. 4.

Leo Tolstoy. Hadji Murat. Tashkent, G‘.G‘ulom Publishing House, 1978. pp. 2–3.

Rasulov A. Artistic Innovation. Tashkent, Sharq, 2007. pp. 186–187.

Xolmirzayev Sh. Who Has Not Reached Eighteen?. Tashkent, “Yozuvchi”, 1998. p. 8.

https://sharqyulduzi.uz/2024/02/07/shukur-xolmirzayev-haqiqatlari/

https://kh-davron.uz/kutubxona/uzbek/shukur-xolmirzayev-adabiyot-yozuvchi-va-ijod-haqida.html

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Published

2026-04-30

How to Cite

Ergashev Aslbek Hamza o‘g‘li. (2026). The Unity Of Artistic Language, Composition, And Character Psychology In The Short Story Genre. International Scientific and Current Research Conferences, 1(01), 24–25. Retrieved from https://www.orientalpublication.com/index.php/iscrc/article/view/2280